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26 April 2017

A Conversation with Alexandra Shulman


Today, one of my dreams came true. I got the opportunity to listen to Alexandra Shulman, the current editor-in-chief for British Vogue, talk about her experience in the industry and the highs and lows of working for Vogue. And she was amazing.

Alexandra has been working at Vogue for 25 years - longer than most of us in the room had been alive! During that time she got to celebrate the 100 year anniversary, and wrote the book, 'Inside Vogue'. She is definitely your definition of Girl Boss, that's for sure.

During the hour that she was speaking to us, she covered a number of topics, and we were also able to ask her questions.

On Journalism in today's society...
She was very certain on the fact that journalism hasn't really changed since she started, apart from the fact that you didn't have a 24/7 website and social media accounts to back magazines and newspapers up back then. This has caused physical sales to decline in recent years, which is why once or twice a year they make price reductions. Saying that, people prefer to have a physical copy of a magazine as they feel as if they have more of a relationship with it. In terms of celebrity culture, she thinks that journalists can sometimes be lazy and just regurgitate what celebrities choose to show their followers through Instagram photos and tweets, however journalists should try to go looking for alternative stories.

On the centenary issue...
Firstly, she spoke about the cover star, the Duchess of Cambridge, Kate Middleton. Alexandra had already asked twice before if she would feature in an issue, before realising that having her on the 100 year issue would be perfect, due to the fact that Kate is the patron of the National Portrait Gallery, where the 100 year exhibition was being held. Next, she spoke about the documentary. When she was asked if it had turned out how she had hoped she was very quick to answer "no", then went on to explain that Richard Macer was filming for 9 months, and all of that footage was edited down into 2 hours (two 1-hour episodes).

On the new editor-in-chief, Edward Enninful... 
Alexandra hadn't actually met Edward yet; funnily enough she was going to speak to him tomorrow! She has absolutely no idea what he'll do with the magazine, however she is positive that he'll do a good job. Although he probably will stray from journalism about women, which Alexandra had incorporated a lot into the magazine, and more towards diversity, he has a very strong visual eye, especially for styling, which is crucial for a fashion magazine. When asked if he'll bring in any men's fashion, she simply said "Vogue is a fashion magazine, not a women's magazine".


On independent magazines...
She admires indie magazines very much, as some of them produce such beautiful magazines without any direct income, compared to the likes of Vogue where they generate income from sponsors and advertisers. You have to let contributors, such as photographers, do what they want though, because they're usually funding themselves. However, generally there's more freedom in the content you make compared to magazines that are part of the Conde Nast group, for example.

On the death of David Bowie...
She had grown up listening to Bowie, so when she heard the news she was "utterly unprepared" and it saddened her very much. The music you listen to during your teenage years is the music that shapes your identity. The cover where Kate Moss wears the famous lighting strike is one of her favourite covers.


Would you pursue a career in a magazine knowing what you know now?
The need for stories is as great as ever, however wanting to work JUST at a magazine is not a brilliant approach. You need to be open to a variety of roles before you reach the top.

How do you keep yourself motivated?
If it's worth doing, it's worth doing. Don't try to achieve perfection instantly, just make a start.

And, last but not least, what's next?
Most likely journalism. Have a summer holiday first. Many newspapers and TV channels have been in contact, but that's unlikely to happen. "If you see me on I'm A Celebrity you'll know it's really gone pear shaped!"

There we go. Full of wisdom.

I learnt a lot in that short 1 hour slot, however I am truly grateful to have been given the opportunity and I can't believe that within a year of just being on this course, I've already been face to face with one of the most influential women in the fashion industry.

Georgia.xo

25 April 2017

Taking Influences From Fashion Photographers

(@galerieslafayette)

Yesterday's lecture was a run through of fashion photographers, who had been categorised in order of their key elements, for example, composition, surrealists, colour and realists. We looked at the likes of Terry Richardson, Nick Knight, Erwin Blumenfeld and George Hoyningen-Huene, to name just a few. 

Last night I found this image on the Galeries Lafayette Instagram page, advertising a Louis Pion watch, and it got me thinking. It presents some of the key elements that we looked at and I thought about which elements would have been at the top of the list in terms of the photographers priorities in capturing the image. Although colour is definitely at the top and takes up the whole frame, I can't help but think prop is just slightly above that, because it's not just the watch - you've also got the blinds in the foreground. 

It's clear that whoever took this photo was influenced by photographers such as Guy Bourdin (one of my favourites) and Mert and Marcus, due to their pop-art style colour palettes and cropped compositions. 

I really like this image, because colour and composition are two elements that really stand out to me and I am intrigued by, pretty much ever since I went to the Guy Bourdin exhibition a few years ago at Somerset House. I've been looking at other images on the Louis Pion instagram page and it seems like a lot of their images use quite pastel and neutral tones, although, similarly to this image, they are still block colours. Having an image which contrasts to previous imagery, such as this one, is sort of refreshing and shows that the brand is up for experimenting and developing their aesthetic. 

Georgia.xo

20 April 2017

Burnout


I don't know how to start this other than at the beginning. And making you aware that this is going to be a rambly post.

Since starting uni in October, I've pretty much been working flat out for 6 months. Whether that's project work, blogging, or even just going to the gym, I literally had not stopped until the beginning of April. I then gave myself a two week break over Easter, thinking I deserved it, but then the feeling of guilt quickly rushed upon me.

I didn't bring my sketchbook or any text books home with me, and I started to panic because I could see all my course mates putting their work up on social media and I just wasn't doing any of that. But then I had a bit of an epiphany. Why did I feel so guilty?

By the end of term 2 I was burning out. I was starting to miss lectures and seminars, getting lazy with the work I was producing and I was making excuses for myself to not go to the gym, whereas before I had got pretty good at going 3-4 times a week. FCP is me all over and the little routine I'd developed had become second nature; you know it's time for a break when even the things you love and enjoy  start to become uninteresting.

Over the last two weeks I haven't thought about uni or work or blogging or anything like that at all. I probably shouldn't be admitting that, but it's true! Those really sunny days we had I spent the whole time outside. I didn't spend all morning lounging around, I actually got out of bed early and there is honestly not a better feeling than knowing that you've made the most of the day. I took long walks over the cliffs with Harry, we went to the cinema, had a picnic on the beach and we even watched High School Musical (1 AND 2) for the first time in about 10 years! I sat in pub gardens with a cider, me and Dad went on the i360 in Brighton, I drove on the motorway for the first time, spent Easter with my family and yesterday we celebrated Harry's 19th birthday. It's the little things that count and it's been the break I needed.


I arrived back in Nottingham last night in a panic with a whole load of stuff to do, but I honestly don't care. I'm excited about the new term and I'd rather be that then bawling my eyes out and coming back even more tired that when I left. I've got a nice long list of things that I need to focus on and do over the next few weeks and I'm determined to finish this term (and year) on a high - WHERE has the time gone?!?!

There's a lot of exciting stuff coming up over the next few weeks including a lecture from Alexandra Schulman (literally going to be starstruck), photo shoots for the next part of the fragrance project, my birthday and the surprise trip I've organised for Harry's birthday! Lots of juicy content!

Georgia.xo

17 April 2017

Moschino // Candy Crush


Earlier this week amongst the lead up to the biggest, aesthetically focused music festivals out there -  Coachella - it was announced that Moschino and Candy Crush would be launching a collection at the annual music festival. The capsule collection consists of a swimsuit, a pair of swimming trunks, a backpack and also an iPhone cover. 

“We’ve got swimsuits, because, everyone’s going to be in a pool at one point or another at Coachella, or it’s going to be so hot you wish you were in a pool. - Jeremy Scott

This is so completely Jeremy Scott that it's almost predictable. Since his very first collection for the brand in 2013, the overall aesthetic has been incredibly in tune with pop/trash culture. For example, he's taken inspiration from the likes of McDonalds, Snickers and Spongebob Squarepants, dressed stars such as Nicki Minaj and Miley Cyrus, and collaborated with Barbie, Cartoon Network and Nintendo. This latest collab is wacky and an unconventional approach to your typical fashion-brand-X-collaborating-with-fashion-brand-Y, however, should we really be that amazed?

This makes me want to throw up in my mouth a little bit...
(@moschino)

Although the mobile app couldn't be more spot on for the brand, I'm personally not that big a fan. It's crossed the line just that little bit too much. It's a little bit too naff. And definitely not worth the £106 - £403 price tags. Although the game still seems to be growing strong, and currently celebrating it's 5th birthday, I definitely stopped playing a long time ago. It's definitely not as relevant as it used to be. Saying this, would the collab have been a bit too sickly sweet when it was riding in the number 1 spot in the App Store? Or is this just an attempt to make it relevant again?

Who knows. I'm sure there are thousands of people who will be loving this one; I'm just not giving it the heart-eyed emoji.

#sorrynotsorry

Georgia.xo